Spectrasonics released their flagship synthesizer Omnisphere back in 2008. Since then it’s become known to professional sound designers and discerning producers as a feature-rich synth that’s capable of creating lush organic and synthetic soundscapes in the studio in addition to being an expressive and fully customizable performance tool.
The highly anticipated Omnisphere 2 was recently released and boasts many features that expand its sonic palette even further. It now includes a library of more than 12,000 classic and modern sounds that includes the Spotlight EDM library, all of which is easily accessible through Omnisphere 2’s intuitive new browser. Spectrasonics Omnisphere 2 is one of the most popular plugins among Splice users – Sign up for a free Splice account to download full Abelton Live, FL Studio, and Logic projects that make use of Omnisphere 2’s features and read on to discover some of the ways that it can contribute to your production toolkit.
Dec 13, 2015 I know it isn't much but I checked each of them and removed certain wavetables so all of them can be used without any issues. Given the fact that there's already much Serum stuff available here (which I now frequently use) I wanted to save you guys some time. EDIT: He forgot to fix 2-3 wavetables. New download link:). Omnisphere 2.5.0d includes a stunning new “Hardware Library” with over 1,600 new patches created by Eric Persing and the renowned Spectrasonics Sound Development team. Each hardware profile has a corresponding set of sounds in the Hardware Library which were specially designed using that hardware synth as an Omnisphere controller.
Sep 03, 2018 Spectrasonics Omnisphere 2.5 Crack Mac Key Latest Version Download Spectrasonics Omnisphere Mac, a major update of its flagship software synthesizer.
Main Page
Omnisphere 2’s Main Page is where you’ll access most of its primary controls. It’s here that you can adjust global tuning and performance parameters that affect all aspects of Omnisphere 2’s sound and behavioral characteristics. The Main Page is also where you can adjust global parameters such as overall amplitude gain, MIDI channel routing, and audio output routing. The Master Filter section at the bottom of the Main Page provides you with a global Highpass and global Lowpass filter with adjustable Cutoff and Resonance controls.
Notes view offers an overview of the currently selected patch, while Layers view provides a more detailed look at the various layers that combine to create it. Each patch that you create using Omnisphere 2 can be constructed of components derived from both Waveforms and Soundsources, which you can freely explore by cycling through them in this window.
Soundsource Zoom gives you further control over the sound and behavior of Soundsources by allowing you to adjust virtual microphone placement, selection of playback algorithms, articulation modes, legato settings, and more.
The Oscillator Zoom section provides you with advanced options for sculpting your sounds and is the center of Omnisphere 2’s sound design capabilities. It’s here that you can choose from over 400 available wavetables and access several synthesis modes including FM, RM, Waveshaper, Unison, Harmonia, and Granular. You can use the Shape, Symmetry, and Hard Sync sliders to adjust the shape of the selected wavetable and alter its characteristics.
Orb
Omnisphere 2’s Orb is one of its most unique and defining features, and functions equally well as both a production and performance tool. The Orb allows you to instantly manipulate a sound in many different ways by introducing dynamic gestures to macro parameter automations in a way that’s far superior to what’s possible with a standard X/Y controller. Spectrasonics has also developed the Omni TR controller app for Apple iPad which is the perfect controller for the Orb and is available for free at Apple’s digital App Store. Every single patch in Omnisphere 2 has this capability, and operation of the Orb couldn’t be simpler. The closer to the edges of the circle the cursor is moved, the more dramatic the changes will be – moving the cursor to the center of the Orb or pressing the Clear button returns the sound to its original state. The overall intensity of the sound modification is determined with the Depth slider. A completely new set of manipulations can be chosen at any time by simply clicking the Dice button, which instantly creates a brand new group of modifications and effects. The Orb can also be setup manually and used as a modulation source in Omnisphere 2’s Mod Matrix or automated within your DAW.
Audio Import
New to Omnisphere’s latest edition is the ability to import your own audio for use as Soundsources. This feature allows you to process your own audio the same way you would with any of the included Factory Soundsources. You can manipulate your audio using any of Omnisphere 2’s synthesis capabilities as well as any of the onboard effects modules provided. This means that you can import any audio loop, vocal sample, or even an entire mix to transform the audio into something completely different. See what Spectrasonics founder Eric Persing has to say about some of Omnisphere 2’s latest features in the video below:
FX
Omnisphere 2 comes with a powerful selection of 58 high quality effects that can be used as either sends or inserts. Almost all of the FX parameters loaded in Part Racks can be modulated with any modulation trigger source, meaning that FX can be fully integrated into the synthesis architecture and character of a patch, which makes using them much more integrated and powerful than using standard FX plugins alone. In addition to individual FX Presets you can also load or save Rack Presets, which recall entire FX chains with all of their settings intact.
Arpeggiator
Omnisphere 2 has a built-in Arpeggiator that features multiple modes and trigger options paired with a variable-length 32-step Pattern Programmer. Version two provides enhanced melodic flexibility with the addition of a per-step note transposition feature.
Mixer
The Mixer section offers a comprehensive overview of all Parts contained within a Multi. It provides you with Mute and Solo switches for fine-tuning specific Parts and level sliders for mixing the various Parts together to taste. A Pan control is also included for placing each Part within the stereo field, as well as four Aux Sends which correspond to the FX section.
Stack Mode
Omnisphere 2’s Stack Mode gives you fine control over specific performance and playability parameters. Stack Mode makes it possible to create splits, layers, and crossfades for up to eight Parts simultaneously, all controlled from a single MIDI track or from a single controller. With Notes, each Part region is mapped to a MIDI note range, allowing you to map splits, layers, and crossfades across your keyboard. With Velocity, each Part region responds to a specific velocity range, which causes different Part regions to be triggered by playing harder or softer. With CC, Part regions can be switched and crossfaded using MIDI control change messages.
Live Mode
Live Mode allows you to seamlessly switch and layer patches on the fly. Live Mode was designed for use in a live performance environment, but is also an inspiring way to interact with the sounds of Omnisphere 2 in studio situations. It’s especially useful for recording multi-Part performances using a single MIDI track in your host sequencer. The Live Mode page has eight slots which each correspond to an Omnisphere 2 Part.The Omni TR controller app mentioned above also works with Live Mode and allows you to quickly stack and activate Parts. Patch names are always displayed in large and easy to read type so that they are clearly visible while performing on stage.
Browser
Omnisphere 2 ships with a massive library of over 12,000 sounds – its Browser offers a useful way to search, filter, and browse its contents. There are two types of Browsers in Omnisphere 2: the Full Browser and the Mini-Browser. The Full Browser occupies the entire Omnisphere 2 user interface, which allows for more refined searches and displays more results. The Mini-Browser occupies only the left area of the interface which allows the controls to remain accessible throughout and is convenient for editing sounds while browsing.
With Omnisphere 2, Spectrasonics have stayed true to the quality and character of the original Omnisphere while adding a host of brand new features that are sure to please both newcomers and long-time users alike. It’s currently available in AU, VST, RTAS, and AAX formats for both 32-bit and 64-bit systems. You can explore more of Omnisphere 2’s features and sounds by Splicing the projects below!
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July 7, 2015
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Omnisphere 2.6 Crack New Hardware Sound Library
Omnisphere 2.6 Crack incorporates a hot new Hardware Library with more than 1,600 new fixes made by Eric Persing and the acclaimed Spectrasonics sound improvement group. Each equipment profile has a comparing soundset in the Hardware Library, extraordinarily planned utilizing that equipment synth as an Omnisphere controller. These motivating sounds spread a wide scope of classifications and many have a particularly “great simple” vibe. The new sounds are accessible to all clients, regardless of whether you’re utilizing the equipment or not.
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Omnisphere 2.6 Key Features:
- Over 14,000 inspiring sounds for all types of music production
- Vastly expanded synthesis engine with 4 Layers per patch and doubled Mod Matrix
- Groundbreaking Hardware Synth Integration for hands-on control of Omnisphere
- Audio Import lets you drag-and-drop your own audio file to use as a sound source, which can then be processed with synthesis features
- Synth Oscillator with over 500 DSP waveforms and up to 20 oscillators per patch (can be either DSP synth or sample-based)
- Sound Match feature instantly locates related sounds in the library
- Hardware Library with over 1,000 new “classic analog” patches for all users
- EDM library with modern, next-level sounds
- Powerful Granular Synthesis for stunning transformations
- 57 powerful FX Units, fully integrated and modulatable
- Psychoacoustic sounds from the Spectrasonics sound development team
- Sound Lock feature creates endless useful variations by locking sound aspects while browsing
- Wavetable Synthesis (each waveform is a morphing wavetable)
- ORB circular motion interface allows infinitely shifting variations
- Omnisphere Response Code
- Deeper FM/Ring Modulation capabilities for aggressive timbres
- Dual Filter architecture includes more than 34 Filter algorithms in series or parallel
- Performance-oriented Live Mode allows for seamless patch layering on the fly
- Flex-Mod modulation system for powerful, modular-style matrix routing
- Stack Mode interface allows complex patch layering, splits, and crossfades
- Mini Browser available at all times in addition to larger Full Browser
- High-resolution resizable Interface with intuitive zooming into deeper synthesis levels
- 8 independent Arpeggiators with unique Groove Lock feature
- Polyphonic Timbre Shifting/Crushing, Waveshaping, and Reduction
- 8 full-featured LFOs per patch, with syncing and complex waveforms
- 12 Envelopes with both simple ADSR-style or advanced multi-breakpoint interfaces
- Easy Sound/Project Sharing for collaborators and third-party libraries
Hardware Synth Integration
Omnisphere 2.5 Crack was the first soft synth to offer Hardware Synth Integration, which transforms popular synthesizers into hands-on controllers that unleash Omnisphere’s newly expanded synthesis capabilities — a groundbreaking feature that makes using Omnisphere feel just like playing a hardware synth. This cutting-edge innovation bridges the gap between software and hardware, giving you intuitive control of Omnisphere by using the familiar layout of your favorite supported hardware synth. Virtual instrument users can finally experience the immediacy of a hardware-based workflow; and hardware synth players can now seamlessly expand their sonic horizons into the vast world of Omnisphere. With Omnisphere 2 Crack, Spectrasonics raises the bar yet again by greatly increasing the number of supported synths.
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- Four Layers per patch!
- New State Variable Filters
- Over 500 DSP Wavetables
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- 8 LFOs, 12 ENVs, 34 Filter Types per part
- Doubled Mod Matrix
- Full FX Modulation
Software Details:
- Software Type: Synth and Effects collection
- Platform: Mac, PC
- Upgrade/Full: Full
- Download/Boxed: Boxed with flash drive
- Bit Depth: 64-bit
- Format: AAX, VST 2.4, AU, Standalone